
Let me put it this way, Mr. Amor. The 9000 series is the most reliable computer ever made. No 9000 computer has ever made a mistake or distorted information. We are all, by any practical definition of the words, foolproof and incapable of error.
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NOTE: below are the new items from summer and fall 2014. These are largely being posted to the Wordpress site, here.
twitter for our infrequent site updates: @dantestellacom
The terrorists have not won
Twilight of the viewing filter
Fix it now or fix it later?
Silvestri H: the 6×12 ultracamera
Metz 45CL-4 Digital + SCA3045 + SCA3502 M5 + Leica M typ 240
Cameras, proles, and animals are free
Leica M typ 240 firmware 2.0.1.5: the end of the beginning
Pixi Dust
Fuji X100: the Pitch Black project
Leica T: Chi comanda?
Zeiss C Biogon T* 4.5/21 ZM and removing the reds
Archive / Index By Subject
Digitalia
35mm Rangefinder Cameras
35mm SLR Cameras
Medium Format Cameras
Lenses and Other Optics
Light Meters, Flash, Bags and Tripods
Arcania
Editorials
How to
Carl Zeiss Optical Practicum
Satire/Humor
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Archive / Expanded Index
Digitalia
A cool trick with the iPod video
Aleratec Copy Cruiser Plus
Curing the autofocus blues
The Devil is in the Dynamic Range
Explain that Leica M8 upgrade again?
Eye-Fi Pro X2 8gb
The Failure of Firmware
Firewire rocks!
Fuji EF-42 Flash for X100 and X-Pro1
Fuji X100: the dirt on the dirt
Fuji X-Pro1: Leicapocalypse?
Fuji X-Pro1: Revisited
Getting raw on RAW files
Kodak DCS 14n
Kodak/Pakon F235 Plus
Leica D-Lux 3
Leica Ennui
Leica M8 Digital Rangefinder
Leica M8 lens testing and other wastes of time
Leica M typ 240: Part 1
Leica M typ 240: Part 1a
Leica M typ 240: Part 3 (pixels)
Leica M typ 240: Part 4 (SF 58 flash)
Leica M typ 240: Part 5 (vs. X-Pro1)
Light balancing filters on digital
The myth of D2x shake
Nikon D2x (vs. Kodak 14n)
Olympus E-P1: (Stylus) Epic Fail?
Outsource, insource, leave me alone
Practical Accessories for the X-Pro1
Reply to Dubovoy
Ricoh GR Digital II
Sony NEX-5
Sony NEX underexposure recovery
Surviving the horrors of 9/9/M9
Twelve filters for digital
Whither Micro 4/3?
Who's afraid of the big bad live view?
35mm Rangefinder Cameras
Canon P
Canon VI-L / 7
Contax T
Kodak Reti na II/IIa/IIc
Konica Hexar
Konica Hexar RF
Konica IIIA and IIIM
Leica IIIc FAQ
Leica M3
Secret roots of the
Bessa-R?
Tarting up your rangefinder
That Leica CLA Culture
Voigtländer Kontur Finder
35mm SLR Cameras
Buying a used Nikon F3
Konica Autoreflex T4 v. FC-1
Nikon F: beauty in simplicity
Nikon F3 vs FA
Nikon F4 F4s F4e
Nikon F5
Nikon FG: little camera that could
Nikon N2020
Nikon F-Series Accessory Finders
Medium Format Cameras
Brooks-Plaubel Veriwide 100
Folding up on folders
Fuji G690BL, GM670, GL690
Fuji GA645
Fuji GW and GSW 6x7, 6x8 and 6x9 Rangefinders
Fuji GSW690III Resolving Power
Fujinon SWS 50mm f/5.6 for G690 G690BL GM670 GL690
Graflex Norita 66
Koni-Omegaflex M
Lomo Belair-X 6x12
Lomo Belair-X 6x12: In hand
Mamiya RB-67 Pro-S
Mamiya 6 MF
Maximizing your Nikon FH-869S
Medium Format Film Holder
Minolta Autocord
Mythology of the Fuji G690BL GM670 GL690
Noblex 6/150
Pentax 6x7 MLU SLR
[Pola]roid rage
Polaroid Rangefinders
Rolleiflex 2.8F
Lenses and Other Optics
Accessory viewfinders
And now let us praise light, cheap lenses
Block diagrams of Canon Lenses for Leica
Canon Lenses for Leica
Choose your weapon, er... lens.
Evolutionary Chart of Canon Lenses for Leica
Faraway, yet so close: tales of Contax, Nikon, Leica, and Soviet incompatibility
Fujinon XF 18-55m f/2.8-4
Fujinon XF 14mm f/2.8
Hands Off My Flange!
Kobalux lenses for Leica
Kobalux 21mm f/2.8 Revisited (M8)
Konica 21-35mm f/3.4-4 M-Hexanon Dual
Konica 35/2 UC-Hexanon
Konica 90/2.8 M-Hexanon
The Legend of Lux-Do
Leica Universal Wideangle Finder M 12011
Nikkor lenses for Leica
Nikkor 8mm f/8 Fisheye (MLU)
Nikkor AF 24mm f/2.8D
Nikkor 28mm f/1.4D AF
Nikkor 45mm f/2.8 GN
Nikkor 105mm f/2D AF-DC
Nikkor 70-210/4 AF: Nikon's best midrange zoom
Nikkor AF-s 70-300mm VR II
Nikkor 300mm f/4.5 ED-IF AI-s
Non-obvious aspects of
accessory viewfinder selection
The plastic fantastic
Sony NEX Wide Adapter VCL-ECU1
Soviet Helios-40-2 85mm f/1.5
Strangefinder photography
Light Meters, Flash, Bags and Tripods
Attack of the Red Pods
Bagging it with Crumpler
Big Flash Guide
BlackRapid RS-7 Strap
Gossen Digisix
Leica SF-24D: Übersortaflash
Logan 750 Simplex Plus Mat Cutter
Nikon SB-20 Flash
Taming the Durst AC800
Tamrac N-45 strap
Tenba P415
Tripod Travails
Arcania
Leica: what's in a name?
Nikon vs. Ikon
Zeiss: what's in a name?
Editorials
2012: the Prediculous
About
L'Addio di Verichrome Pan
All that science
Alternatives to good photography
Automation vs. Automatons
Can Photodo.com predict real-world differences between lenses?
The case for gearheads
The day you became photographically uncool
Digital? Maybe later.
Does a rangefinder make you a better photographer?
Enter the lemur
Just how fast is that lens?
Leica Rangefinder Self-Adjustment and Other Myths
Lithium-Ion: a modest proposal
Methods and madness
The Myth of Mechanical Cameras?
Opiates of the Masses: Bokeh
Same conceit, different day
Stop thinking about photography
35mm color vs. the tyranny of the masses
Verichrome, I do mind dying
What equipment was used for pictures on this site?
How to
Bottom-feeding in the grey market
Camera Show Counter FAQ
Dan Stella's Tenfold Path of Good Photography
Fill flash for amnesicacs (expanded)
Fixing Super Ikonta A, C or Moskva rangefinder alignment.
The fluff on film formats
The Guerilla Darkroom
More lessons from the Guerilla Darkroom
Optical signature manipulation
Practical Filter FAQ
Surviving a trip with your camera
The Olympus Pen FT: relevant once again?
Saving Your bent negatives
Scanning 6x12 with Sprintscan 120
or Artixscan 120TF
The right tool for the job
TMX to Neopan 1600
Carl Zeiss Optical Practicum (with permission)
Achromat, Apochromat, Superachromat - What is the Difference?
Depth of field – An insider's look behind the scenes
How digital one-shot cameras perceive color
How do Zeiss T* and Rollei HFT compare?
How to determine the resolution actually reached in a photograph a practial example
Is rollfilm 220 better than 120 in terms of film flatness?
Resolution of camera lenses where are the limits – and why?
10 Steps to success in high performance photography
Why Carl Zeiss lenses for Contax are made in Japan
Satire/Humor
A special message from your camera manufacturer.
Leica M3 vs. Feinwerkbau AW93 Light
New Leica Digital Breaks New Design Ground
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